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Portraying a relationship onscreen is different from living one out in real life.To some extent you can’t help who you’re attracted to (though I would argue politics play out in our dating lives both consciously and subconsciously), but you can decide the kinds of relationships you write.both Nanjiani and Patel are being set up for an arranged marriage.They make their way through countless South Asian women only to land back on the white women they were in love with the whole time.What I mean by sacrificing is women of color are often introduced just to disappear.They are ground up into the burger that is the storyline, while the pursuit of the white woman bookends the whole project.Why, then, do all four of these South Asian men stick to only writing about white women?

She is the one, the rest of the women were barely present.Every single brown woman who was paraded across the screen as part of an endless lineup of suitable girls ended up an anonymous, unnamed and crumpled footnote in the story.These men to go through them to reach their white women at the end.While Sidiquee eviscerated the genre of “Diaspora South Asian Dude Does Rom-Com” in his essay by delving into the specifics of how men like Aziz Ansari, Hasan Minhaj, and Kumail Nanjiani (with slight mention to Ravi Patel from Interracial dating has been a facet of living in the diaspora for ages.I myself have a mixed family and mixed-race cousins. But there’s a huge difference between brown men dating white women and brown women dating white men.

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